Record review: The Pear Traps

Posted by Andrew Hertzberg

Last fall I had the privilege to conduct my very first interview for this site with local lo-fi masters the Pear Traps. They had revealed Basement Fidelity to the world and were playing around the city, anticipating a retreat to Tennessee where they would record their eponymous follow up. Although we only jokingly threw around the title “Cabin Fidelity,” it is immediately clear these guys have left the basement. They retain their character lo-fi sound, mostly due in part to the DIY aspect of the band (singer/guitarist Bryant Lee Howe builds all of the amps) that provides a certain homegrown charm.

For those that don’t quite dig the lo-fi sound, think about it like this: it’s not meant to be nostalgic, but rather a testament to their abilities in the craft of musical equipment and creativity in the recording process. The sound doesn’t come from a cheap Pro Tools plugin, but from the limitations (and advantages) of home built equipment and unique recording locations. Now! To the music:

Q&A: The Pear Traps

Posted by Andrew

The stage is a mask. When a band performs, it’s important to remember that that’s what it is: a performance. Offstage, there could be an entirely different dynamic within a band contradictory to how they pose for an audience. This is clearly not the case with Chicago band the Pear Traps. Hanging out for a drink before a band practice, the guys are all at ease, joking around, acting more as group of close friends that just also happen to make some great music together. Despite the introspective nature of their tunes, there was no tears-in-beers melancholy when we talked. Instead, we chatted about lead singer/songwriter Bryant’s amp building, experimental recording places, and the hopes and dreams to play Chicago’s most elite venues.

Check them out live this Saturday, October 16 at the Mutiny with Bad Bad Meow (click here for an interview) and Videotape, and read on for the interview.

Q&A: Bad Bad Meow

Posted by Andrew

Open mic nights are interesting. A lot of what’s played is good, but nothing mind-blowing or eyebrow-raising. It’s a great platform for an artist to perform live without the pressure of an actual show, to be able to hone their skill while keeping the bar safe from jukebox trolls. But every once in a while you hear a band that actually stands out, that gets the crowd into it. This is how I became introduced to Bad Bad Meow. Originally from North Carolina, drummer Sarah Sydow, singer/guitarist/evil genius Alen Khan and an ever-rotating cast of characters have been kicking around the Chicago scene for the past couple months. If you drop by the Gallery Cabaret on a Sunday night, odds are you’ll see them perform. More interested in a full-length set? Check ‘em out at a free show this Saturday, October 16 at the Mutiny opening for the Pear Traps.

I had a chance to talk with Sarah about her musical bond with Alen, silly band names and Meg White.