Showing posts with label dosh. Show all posts
Showing posts with label dosh. Show all posts

Monday, September 26, 2011

The Hideout Block Party with Andrew Bird, Mavis Staples and more

By Andrew Hertzberg

(Photos by Shannon Shapiro)
We are officially into autumn, but that doesn’t mean the outdoor music season is over just quite yet. The Hideout celebrated its 15th Block Party this past weekend with a killer lineup, primarily featuring local artists and a myriad of genres. The rains splashed early, but promptly exited right on time as the Guitarkestra headed by Plastic Crimewave Sound (aka, psychmaestro Steve Krakow) filled the cement space between the Hideout and a garbage truck parking lot with a cacophonous drone from 25-30ish guitarists, bassists and at least one violinist (not to mention Dosh on the floor tom and crash). The set lasted about 20 minutes, the musicians underneath a few tents that allowed listeners to walk around. On the surface, the noisy jam may have been a turnoff to some, but conceptually, it broke the conventional barrier between not only audience and performer, but between audience members themselves: with amps facing all different directions, no two people were listening to the same thing, while simultaneously witnessing the same performance. Wrap/warp your mind around that one.
Guitarkestra






























































































































As soon as the experiment was over, White Mystery took the stage with the 1-2-3 punch of "White Mystery," "Power Glove," and "Blood & Venom." The crowd was still filling into the lot, but the siblings White were rocking out the same as if it were a packed basement. Closing with "Take a Walk" (a love letter to Chicago), Francis dropped one of his sticks, only to pick up two and effectively doubling his power, as if he was purposefully trying to destroy his already beaten and battered drumkit. I swear he’s going to play that thing until it falls apart (and maybe a show or two after that). Likewise, with the set finished, Alex ripped off all of her six strings, feedback let loose, before curtsying and exiting the stage.